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The Charles Moore Foundation

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Great Places Deserve Our Attention and Care

After Charles Moore died suddenly at the age of 68 in December 1993, it took three years to sort out and settle the 1997 agreement to establish the Charles Moore Foundation whereby we would shoulder the preservation of the Moore/Andersson Compound in Austin. When we began, the Foundation had a mere $9,000. That we also agreed to assume Charles Moore's $475,000 property debt, meant that we launched a non-profit in grave financial jeopardy.

But we retired the mortgage debt by 2002—in only five years—thanks to well-attended fundraisers and a formative matching grant from the Hanzlik Family.

Since then the Foundation has remained debt-free, apart from a modest Small Business Administration Loan we took out during the pandemic. (That $45,000 loan is now 1/3 paid off.)

How have we achieved this? By taking the long view and building up the Foundation conservatively and incrementally. Kevin Keim, the Director, does virtually all of the work himself, including the lion's share of the actual preservation work with his own hands. In 2024, he completed the restoration of the exterior envelope of all of the Moore/Andersson Compound's structures, an effort that took 15 years of careful, virtually singlehanded labor.

What's more, the Foundation has expanded to California. We now own and preserve the landmark Burns House in Santa Monica Canyon, upon Lee Burns incredibly generous bequest. People from around the world now come for Residencies in architecture and music. And in 2022, the Foundation spearheaded an agreement to preserve the iconic Condo #9 at The Sea Ranch. Two passionate architectural enthusiasts conceived of a plan to care for the Condo as stewards after contributing the Condo’s deed to the Charles Moore Foundation. A brilliant solution—and yet another act of stunning generosity. As a result, we have now preserved a trio of Charles Moore masterpieces.

All of these preservation efforts are anchored in the conviction that Charles Moore would have wanted his places to be used and enjoyed by people. To be kept alive with programs and projects. And to continue inspiring the minds and talents of young people.

Countless students from around the world have visited. Hundreds of residents have stayed in the places, allowing focused time for work, study, and teaching. Many other non-profit organizations have gathered here. The Foundation has assisted with the care of vast archival holdings about Charles' work at the University of Texas, UC Berkeley, UCLA, Princeton, and Yale. Student interns have learned about archiving, preservation, publishing, and the everyday realities of sustaining a non-profit. In 2012, Colin Rowe's family entrusted the Foundation with the care of his precious architectural library. Concerts and masterclasses in music have also begun in earnest at the Burns House. Originally designed around a magnificent Jürgen Ahrend pipe organ, with the help of donors, Kevin has further expanded its collection with a Steinway grand piano and a Klaus Ahrend harpsichord.

When Lee Burns bequeathed the house in 2023, he also contributed $450,000 to the Foundation. And in 2024, the late Margie Meador Shackelford, who was married to the architect Alex Caragonne, left the Foundation an additional $450,000.

Those two gifts are now the seed of a modest endowment.

In honor of the centennial of Charles Moore's 1925 birth, we are hoping that many of you will come together to expand this endowment, so that its annual income can offset the expenses required to care for these extraordinary places— and help to secure their future.

We would be so grateful for your contribution to this campaign. Every amount is meaningful, recalling Charles Moore's wonderful quip that "bread cast on the waters floats back club sandwiches!"

Be assured we will safeguard and use these contributions—as our 30-year-track record has demonstrated—with the care and attention such generosity deserves.

If you would like to see all that has been accomplished this past year, please have a look at the 2025 Director's Report.

If you have any questions about methods of contribution, such as one-time gifts, multi-year pledges, or inclusions in your estate planning, Kevin Keim is here to answer them for you.

Thank you. Thank you. Thank you.

I'd Love to Contribute!

The Charles Moore Foundation is a 501(c)(3) non-profit. Contributions are tax-deductible according to law.

In the tester, this form sends nothing.

Please mail checks to: Charles Moore Foundation, 2102 Quarry Road, Austin, Texas 78703. Venmo @charlesmoorefoundation.

International Contributors Who Have Launched the 2025 Effort!

  • Suzanne Deal Booth [Oakville, California]
  • Centerbrook Architects & Planners [Centerbrook, Connecticut]
  • Stephen Harby [Santa Monica, California]
  • Sinclair Black [Austin, Texas]
  • Peter & Patricia Keim [Pittsburgh, Pennsylvania]
  • Kimberly Kohlhaas [Austin, Texas]
  • Lu Wendel & Maynard Hale Lyndon [Healdsburg, California]
  • Willard Hanzlik [Sarasota, Florida]
  • Cecily Young & John Ruble [Santa Monica, California]
  • Nancy Troy & Wim de Wit [Sonoma, California]
  • Jacob Albert [Cambridge, Massachusetts]
  • Leah Cadwallader [Ithaca, New York]
  • Maristella Casciato [Rome, Italy]
  • Richardson Pribuss Architects [Mill Valley, California]
  • Dan Garness & Joe Fay [New Orleans, Louisiana]
  • Kristy Balliet [Los Angeles, California]
  • Jacquelynn Baas [Healdsburg, California]
  • Sandra Kulli [Los Angeles, California]
  • Andrew Mann [San Francisco, California]
  • Heyden Cadwallader [Charleston, South Carolina]
  • Rebecca Leonard & Steven Spears [Austin, Texas]
  • Martin & Cecilia Monto [Lake Oswego, Oregon]
  • Rebecca Austen & Stacy Holt [Austin, Texas]
  • Laurie Benenson [Los Angeles, California]
  • Jeanne Chen & Bob Dolbinski [Los Angeles, California]
  • Charles Di Piazza Architecture (CDPA) [Austin, Texas]
  • Kevin Milstead [Washington, DC]
  • Michael Holleran [Austin, Texas]
  • Tina Beebe & Buzz Yudell [Los Angeles, California]
  • Connie & Samuel Pate [Austin, Texas]
  • Andrea Lunsford [The Sea Ranch, California]
  • John & Jane Guenther [St. Louis, Missouri]
  • Karen Simonson & Barton Phelps [Los Angeles, California]
  • Jonathan Formanek, E. Fay Jones Conservancy [Huntsville, Arkansas]
  • Hamilton & Keli Hogsett [Austin, Texas]
  • John Clark [Wilmette, Illinois]
  • Spence & Laura Kass [Philadelphia, Pennsylvania]
  • Robert Nebolon [Berkeley, California]
  • Charles Moore's 1st UT SOA Post Professional Studio
  • Constantine Vasilios [Chicago, Illinois]
  • Oscar Cadena [San Luis Potosí, Mexico]
  • Ann Cuthbertson [Denver, Colorado]
  • Gregory Splinter [Viroqua, Wisconsin]
  • Toby Greenbaum [Ottawa, Canada]

Generosity

The Charles Moore Foundation's preservation projects and educational programs depend on the generous support of people and organizations all over the world.

We are so grateful for everyone's interest in our work!

Door Hardware
Charles Moore often specified Allegion's Schlage brushed bronze knobs and locks. We are so grateful that Allegion has contributed full sets to replace all of the hardware in both Austin and Santa Monica Canyon.

Burns House — Steinway & Sons Piano Cover
The renowned Finnish company, Marimekko, will be contributing textiles for a special cover for the Steinway & Sons Model B Grand Piano.

Moore/Andersson Compound — Courtyard & East Elevation Preservation
James Hardie has generously contributed all of the surface panels and trim we will need to restore the compound's East Elevation. Once the work starts, we will share how these materials will significantly extend the architecture's longevity.

Moore/Andersson Compound — Courtyard Preservation
KebonyUSA has contributed its fine timber for the important courtyard restoration project. Alex & Robbie Robinette also contributed Kebony timber after they completed their spectacular new home project.